George Lucas hates cities

Though critic call it a simplistic fantasy , there ’s a lot going on beneath the surface of the Star Wars series . There are political commentary , emblem of heroism , and subtext about the danger of ergonomics . And environmental diary keeper Tim De Chant argue that there is also a not - so - insidious hatred of cities and urban animation that run beneath the control surface of almost every Star Wars picture show . OnPer Square Mile , Tim De Chant writes :

George Lucas detest metropolis . At least that ’s what I gather from X of watching and rewatching the original Star Wars pic .

The Star Wars pic are famous for hewing to archetypal account - fighter mark out to save galaxy from evil warlords , hero confronts his ( familial ) yesteryear , fighter grappling hook with his role as a savior . And the movies ’ characterization of urban agglomerations is likewise archetypical , drawing on a long custom of imprecate the city while praise the countryside .

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get ’s start from the first . When we come across our hero , Luke Skywalker , he ’s lamenting how apart life is on his aunty and uncle ’s moisture farm on Tatooine . But it ’s that same upbringing - away from the sully influence of a big city - that frame up his character . Luke may be brooding and somewhat annoying on the airfoil , but deep down we see him as free and inherently proficient .

A few scene later on , that isolation is shattered . His aunt and uncle are ruthlessly slaughtered by Imperial violent storm troopers - interloper from the city - searching for R2 - D2 and C-3PO . With few other pick uncommitted , he joins Obi - Wan Kenobi , a philosophical solitudinarian living out his days in the wilderness , on a journey to find Princess Leia . That journey commence in Mos Eisley , what Obi - Wan call a “ wretched hive of scum and villainy . ” The characters in Mos Eisley live up to that description , providing a stark direct contrast to Luke and Obi - Wan . The cantina frequenter are rude , incendiary , and wild . It ’s promptly apparent that Mos Eisley has no redeeming character . The good affair to do in Mos Eisley is to leave - which with the help of Han Solo , they do .

The problem is , the next place they finish up is even more treacherous . They overlook out of hyperspace where they had expected to find Leia ’s home satellite of Alderaan , but instead are becharm by the Death Star . The moon - sized space station is the metropolis at its most extremum . The Death Star is not just a synodic month - sized starship with a metropolis plow its control surface - the whole matter is a city , straight through to the big businessman station at its core .

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